Edward Steichen, (American, 1879-1973), Model Marion Morehouse in a bouffant dress and actress Helen Lyons in a long sleeve dress by Kargère; masks by the illustrator W.T. Benda, 1926.

The High Art and High Fashion Photography of Edward Steichen

Edward Steichen (American, 1879-1973), Actor Gary Cooper. 1930, Courtesy Mathieu Humery Collection © 1930 Condé Nast Publications.

Edward Steichen (American, 1879-1973), Model wearing sandals. 1934, Courtesy Condé Nast Archive © 1934 Condé Nast Publications.

 

Williams College Museum of Art
15 Lawrence Hall Drive
413-597-2429
Williamstown
Edward Steichen:
In High Fashion,
the Condé Nast Years,
1923-1937

May 30-September 13, 2009
Edward Steichen:
Episodes from a Life
in Photography

June 6-November 8, 2009

Williams College Museum of Art (WCMA) presents two exhibitions highlighting different periods from the photographic career of Edward Steichen. In High Fashion, the Condé Nast Years, 1923-1937 is the first comprehensive presentation of Steichen work made for the fashion and glamour industry. Episodes from a Life in Photography surveys Steichen’s photography throughout his career.

Edward Steichen: In High Fashion, the Condé Nast Years, 1923-1937 presents over 180 photographs that Steichen made while working as Chief Photographer for two of Condé Nast’s best known magazines: Vogue and Vanity Fair. Steichen photographed models wearing fashion from some of the most famous designers of the period including Worth, Poiret, Chanel, and Schiaparelli. He also created portraits of the most prominent figures in literature, journalism, dance, sport, politics, theatre, and film for Vanity Fair, including Greta Garbo, Winston Churchill, Marlene Dietrich, George Gershwin, Frank Lloyd Wright, Amelia Earhart, and Walt Disney. Between the two World Wars, Steichen revolutionized fashion photography while becoming known as “the most famous portrait photographer in the world.” A 288-page catalogue accompanies this exhibition.

Edward Steichen: Episodes from a Life in Photography features photographs from throughout Steichen’s prolific career, presenting many different aspects and themes. It also highlights some of the technical and artistic issues that Steichen explored in his printing methods. Episodes depicts Steichen’s transition from pictorialist to modernist photography, which is epitomized by his fashion and glamour photography. Episodes presents 90 photographs and includes multiple copies of certain prints to demonstrate Steichen’s interest in a variety of technological processes.

“We are unbelievably fortunate to have this bounty of Edward Steichen material on view — almost 300 vintage prints,” notes exhibition curator John Stomberg. “These works are rarely seen. We will also be showing all of the original, extraordinarily fine gelatin silver prints (still in their original mounts) that Steichen created for a 1936 illustrated edition of Henry David Thoreau’s Walden. Together these two shows demonstrate the dynamism of American modernism and Steichen’s critical role in its development.”

In High Fashion, the North American exhibition, was organized by the Foundation for the Exhibition of Photography, Minneapolis, the Musée de E’lysée, Lausanne, Switzerland, and the International Center of Photography, New York in collaboration with Williams College Museum of Art, Williamstown, Mass.

It was curated by William A. Ewing, Director, Musée de l´Elysée; Todd Brandow, Executive Director, Foundation for the Exhibition of Photography; Nathalie Herschdorfer, Curator, Musée de l’Elysée; and Carol Squiers, Curator, International Center of Photography.

Episodes from a Life in Photography was organized by John Stomberg, Deputy Director/Chief Curator and Lecturer in Art at WCMA, with assistance by Veronika Totos, Williams College Graduate Program in the History of Art, Class of 2009.

Edward Steichen (American, 1879-1973), Design for Stehli Silks, 1926, Permission Joanna T. Steichen.