Labina Mitevska as Afrodita in Jas Sum Od Titov Veles (I Am from Titov Veles), 2007, Macedonia.

A Survey of Film from Developing Cinema Cultures around the World

Museum of Modern Art
11 West 53 Street
212-708-9400
New York
The Roy
and Niuta Titus Theaters
Global Lens 2009
January 14-30, 2009

Global Lens 2009, the sixth annual touring film exhibition was conceived to encourage filmmaking in countries with developing film communities. Presented by he Museum of Modern Art, in collaboration with the Global Film Initiative (GFI), the selection of 10 programs, each from a different country, includes films developed with seed money from GFI, and represents a concise survey of contemporary filmmaking from areas where local economic realities make such expensive and technology-driven endeavors a challenge. Accomplished, entertaining, and thought-provoking, the films are also deeply rooted in the social and political realities of the countries where their talented and resourceful makers live and set their stories. Several of the films will also be screened at participating educational institutions and schools in the New York area as part of an educational project between GFI and MoMA’s Department of Education.

Global Lens 2009 is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art.

With three North American premieres, Global Lens 2009 continues the annual program’s goal to support the distribution of unique and critically acclaimed cinematic works from around the world. The premieres include Teresa Prata’s Terra Sonâmbula (Sleepwalking Land) (2007) from Mozambique, about an orphaned refugee of Mozambique’s civil war who searches for a woman he hopes might be his own mother. This film will have a weeklong run at MoMA. Also being presented in a weeklong run at MoMA is Nan Triveni Achnas’s The Photograph (2007), which is part of the burgeoning art-film movement in Indonesia and tells the story of Sita, a beautiful, spirited chanteuse and prostitute in a local brothel, who forms a friendship with a photographer. The third of the North American premieres is Marat Sarulu’s Pesn’ Juzhnykh Morej (Song from the Southern Seas) (2008), from Kazakhstan, in which two couples who are neighbors, one Russian and one Kazakhstani, fall into a 15-year dispute that questions their different cultures and histories. It features sweeping vistas as it examines the clashing of old and new worlds.

Global Lens 2009 includes a wide range of international films with vastly different directorial styles, geographic settings, and cultural narratives. Among them are Faouzi Bensaïdi’s What a Wonderful World (2006), a stylized, avant-garde Moroccan film with music-video aesthetics and experimental narrative techniques, about a traffic cop whose love affair with a contract killer is interrupted by an Internet hacker. In a Chinese film by Zhang Yang, Luo Ye Gui Gen (Getting Home) (2007), an aging construction worker shows his loyalty by toting his drinking buddy’s corpse hundreds of miles for a proper burial. Along the way, he meets a host of characters who embody aspects of China’s recent and rapid modernization. In Naghi Nemati’s debut feature, An Seh (Those Three) (2007), from Iran, three soldiers desert from the army and head off through the snow-covered wilderness of Northern Iran in search of freedom, resulting in a visual and emotional meditation on responsibility and sacrifice. After its run at MoMA, which is the inaugural venue for Global Lens 2009, it will tour a variety of art- and community-based theaters throughout the United States and Canada during the course of the year. The schedule will be posted at www.globalfilm.org.

The Global Film Initiative is a San Francisco-based organization specializing in the acquisition, distribution, and support of independent film from Africa, Asia, Latin America, and the Middle East. Founded in 2002 to promote cross-cultural understanding through the universal language of cinema, GFI awards numerous grants to filmmakers from around the world each year.

 

Thiago Da Silva Mariz as Thiago and Izadora Cristiani Fernandes Silveira as Mother in Mutum, 2007, Brazil.

Ana Celentano as Carla in Las Vidas Posibles (Possible Lives), 2007, Argentina.

El Mehdi Elaâroubi as Hicham in What a Wonderful World, 2006, Morocco.

Lim Kay Tong as Mr. Johan and Shanty as Sita in The Photograph, 2007.

SCREENING SCHEDULE
Global Lens 2009

Wednesday, January 14
7 p.m., Terra Sonâmbula (Sleepwalking Land)
. 2007. Mozambique. Written and directed by Teresa Prata, based on a story by Mia Couto. With Nick Lauro Teresa, Aladino Jasse, Hélio Fumo, Ilda Gonzalez. In the midst of Mozambique’s devastating civil war, Muidinga, an orphaned refugee, happens upon a dead man’s diary. Reading the diary to his elderly friend Tuahir, Muidinga learns of a woman who is searching for her son, and he becomes convinced that he is the long-lost son she seeks. The pair go off in search of the woman, only to return to the same spot over and over again — where Muidinga’s story and the diary’s tale come together at last. Featuring remarkable, unsentimental performances, Prata’s drama pits compassion, resilience, and imagination against the bitter realities of war. In Portuguese; English subtitles. 97 min. North American premiere. Introduced by Prata.

Thursday, January 15
6 p.m., Luo Ye Gui Gen (Getting Home)
. 2007. China. Directed by Zhang Yang. Screenplay by Zhang, Wang Yao. With Zhao Benshan, Hong Qiwen, Song Dandan, Guo Degang. After the sudden death of his drinking buddy, an aging construction worker shows his loyalty by toting his friend’s corpse hundreds of miles for a proper burial. Making his way across the extraordinary Chinese countryside, he meets a host of local characters and encounters hostility, charity, solidarity, and even love in some unlikely places. Yang’s light, humane touch and comedian Benshan’s amiably down-to-earth performance enliven this humorous and moving tale of friendship, endurance, and common decency. The film offers an understated but powerful comment on the erosion of country life and values in modern China. In Mandarin; English subtitles. 101 min.
8:30 p.m. Terra Sonâmbula (Sleepwalking Land). 2007. Introduced by Prata. (See Wednesday, January 14, 7 p.m.)

Friday, January 16
6 p.m., Terra Sonâmbula (Sleepwalking Land)
. 2007. (See Wednesday, January 14, 7 p.m.)
8 p.m. Pesn’ Juzhnykh Morej (Song from the Southern Seas). 2008. Kazakhstan. Written and directed by Marat Sarulu. With Vladimir Yovorsky, Dzaidarbek Kunguzhinov, Irina Agejkina, Ajzhan Ajtenova. Two couples, one Russian and one Kazakhstani, are neighbors in a beautiful, semi-
desolate region adjoining the arid grasslands of the Great Steppe. The couples live in intimate proximity, sharing one another's joys and woes, but when the fair-skinned Russians give birth to a boy with a decidedly darker complexion, the couples enter into a 15-year period of suspicion and acrimony. Sarulu’s gorgeous, wonderfully acted film, which mingles everyday brutality with the most sublime expressions of feeling, examines the meaning of family at the crossroads of different cultures and histories. In Russian; English subtitles. 80 min. North American premiere.

Saturday, January 17
4 p.m. Mutum
. 2007. Brazil. Directed by Sandra Kogut. Screenplay by Kogut, Ana Luiza Martins Costa, from a novel by J. Guimarães Rosa. With Thiago da Silva Mariz, Wallison Felipe Leal Barroso, João Miguel, Izadora Cristiani Fernandes Silveira. On a hardscrabble farm in a remote Brazilian community, the sensitive Thiago is burdened by his parents’ unhappy marriage and his dour father’s abuse. With his brother and bunkmate Felipe, he tries to make sense of the violence and uncertainties of the adult world. Enveloping her remarkable cast in natural light and sound, Kogut’s poignant drama achieves a rare authenticity in its captivating depiction of the innocence and wisdom of childhood. In Portuguese; English subtitles. 86 min. Introduced by Kogut.

6 p.m. Terra Sonâmbula (Sleepwalking Land). 2007. (See Wednesday, January 14, 7 p.m.)

Sunday, January 18
2 p.m. Terra Sonâmbula (Sleepwalking Land)
. 2007. (See Wednesday, January 14, 7 p.m.)
4 p.m. Las Vidas Posibles (Possible Lives). 2007. Argentina. Directed by Sandra Gugliotta. Screenplay by Gugliotta, Pablo Fendrik. With Germán Palacios, Ana Celentano, Natalia Oreiro. After her husband disappears in a sparsely populated area of Patagonia, Clara travels to the remote region and makes a startling discovery: a man with an uncanny resemblance to her husband, but with a different name and another wife. Obsessed with the mysterious, emotionally subdued man and his unaccountably sad spouse, Clara ignores the warnings of her sister, who arrives just as police discover a body that may be her husband’s. Shot amid majestic, lonely vistas and suffused with lush, vibrant color, Gugliotta’s feature unfolds like an anxious dream — a moody, hauntingly romantic study of grief and letting go. In Spanish; English subtitles. 80 min.

Monday, January 19
2 p.m. Terra Sonâmbula (Sleepwalking Land)
. 2007. (See Wednesday, January 14, 7 p.m.)
4 p.m. What a Wonderful World. 2006. Morocco. Written and directed by Faouzi Bensaïdi. With Bensaïdi, Nezha Rahil, Fatima Attif. Kenza, a tough traffic cop, begins an unlikely love affair with the stony-eyed contract killer Kamel. But when a young Internet hacker, desperate to get to Europe, happens upon Kamel’s Web-based enterprise, tragedy befalls the ill-fated lovers. Moroccan actor-director Bensaïdi’s sexy, stylish, and gleefully hip film is set in a modern-day Casablanca that is inextricably caught up in a “worldwide web” of associations and consequences. In French, Arabic; English subtitles. 94 min.

 

Wednesday, January 21
6 p.m. The Photograph
. 2007. Indonesia. Written and directed by Nan Triveni Achnas. With Shanty, Lim Kay Tong, Lukman Sardi. Sita, a beautiful, spirited chanteuse and prostitute in a local brothel, sends her earnings to her daughter and ailing grandmother in another town. Short of funds and constantly menaced by her pimp, she convinces a reluctant portrait photographer to rent her a room. The budding bond between them forms the basis of a touching human drama infused with gentle humor and rich with the palpable texture of daily life. In Indonesian; English subtitles. 98 min. North American premiere.
8 p.m. Jas Sum Od Titov Veles (I Am from Titov Veles). 2007. Macedonia. Written and directed by Teona Strugar Mitevska. With Labina Mitevska, Ana Kostovska, Nikolina Kujaca. In the quaint but scarred post-communist Macedonian town of Veles, three sisters long to escape a dying community centered around a toxic lead factory that is polluting the atmosphere and sickening residents. Afrodita, the youngest sister, narrates her sisters’ longings — one for a visa, the other for a rich husband — as well as her own naive hopes for love and motherhood. Blending stark realism with a dreamlike world of premonition and fantasy, Mitevska’s elegiac, subtly Chekhovian film is a haunting portrait of modern life in the Balkans. In Macedonian; English subtitles. 102 min.

Thursday, January 22
6 p.m. Cuando Me Toque a Mi (My Time Will Come)
. 2008. Ecuador. Directed by Víctor Arregui. Screenplay by Arregui, Alfredo Noriega. With Manuel Calisto Sanchez, Ramiro Logrono, Randi Krarup. Starting with a predawn murder, a series of loosely related private tragedies and desperate acts make their consequences felt in Quito’s city morgue, where the recently deceased meet Doctor Arturo Fernandez. In retreat from his father’s ruthless upper-middle-class ambition, the lonely, sardonic coroner finds some solace in the company of the dead. But life catches up to him here too, forcing Arturo to confront his own desperate existence and emotional isolation. Set to the aching strains of its title song, Arregui’s brooding, poignant film is a poetic ode to Ecuador’s capital city. In Spanish; English subtitles. 90 min.
8 p.m. The Photograph. 2007. (See Wednesday, January 21, 6 p.m.)

Friday, January 23
6 p.m. An Seh (Those Three)
. 2007. Iran. Written and directed by Naghi Nemati. With Yousef Yazdani, Dariush Ghazbani, Esmail Movahedi. One day from completing their training, three conscripts desert a dismal army life and head off through the frozen wilderness of Northern Iran in search of freedom. Travel through this mountainous, snowbound region is dangerous, and “those
three” must rely on friendship to see them through. Nemati’s quiet, breathtaking meditation on responsibility and sacrifice—which boldly employs long shots, a spare, windblown soundtrack, and a memorable cast of characters—is a stunning, assured debut feature. In Farsi, Turkish; English subtitles. 80 min.
8 p.m. The Photograph. 2007. (See Wednesday, January 21, 6 p.m.)

Saturday, January 24
2 p.m. The Photograph
. 2007. (See Wednesday, January 21, 6 p.m.)
4:30 p.m. Luo Ye Gui Gen (Getting Home). 2007. (See Thursday, January 15, 6 p.m.)

Sunday, January 25
2 p.m. The Photograph
. 2007. (See Wednesday, January 21, 6 p.m.)
6 p.m. Jas Sum Od Titov Veles (I Am from Titov Veles). 2007. (See Wednesday, January 21, 8 p.m.)

Monday, January 26
8:30 p.m. The Photograph
. 2007. (See Wednesday, January 21, 6 p.m.)

Wednesday, January 28
8 p.m. Cuando Me Toque a Mi (My Time Will Come)
. 2008. (See Thursday, January 22, 6 p.m.)

Thursday, January 29
6 p.m. What a Wonderful World
. 2006. (See Monday, January 19, 4 p.m.)

Friday, January 30
6 p.m. Las Vidas Posibles (Possible Lives)
. 2007. (See Sunday, January 18, 4 p.m.)
8 p.m. Mutum. 2007. Brazil/France. (See Saturday, January 17, 4 p.m.)

Saturday, January 31
4 p.m. Pesn’ Juzhnykh Morej (Songs from the Southern Seas)
. 2008. (See Friday, January 16, 8 p.m.)
7 p.m. An Seh (Those Three). 2007. (See Friday, January 23, 6 p.m.)

Yousef Yazdani, Dariush Ghazbani and Esmail Movahedi in An Seh (Those Three). 2007. Iran.