Unknown, 1920s, gelatin silver print, National Gallery of Art, Washington, Gift of Robert E. Jackson, 2006.161.15. |
The Kodak Brownie and the Democratic Art of the American Snapshot |
Unknown, c. 1930, gelatin silver print, National Gallery of Art, Washington, Gift of Robert E. Jackson, 2007.4.27.
Unknown, 1950s, gelatin silver print, Collection of Robert E. Jackson.
Unknown, "Mary Girow's Cadillac", September 9, 1956, gelatin silver print, National Gallery of Art, Washington, Gift of Robert E. Jackson, 2006.161.9.
Unknown, August 1961, chromogenic print, Collection of Robert E. Jackson.
Unknown, January 1965, chromogenic print, Collection of Robert E. Jackson. |
National Gallery The range and creativity of amateur photography in the United States is revealed in approximately 200 anonymous works in the exhibition The Art of the American Snapshot, 1888-1978: From the Collection of Robert E. Jackson. It is the first major exhibition, accompanied by a scholarly catalogue, to examine the evolution of snapshot imagery in America. The show begins with the invention of the Kodak camera in 1888 and extends through the 1970s, tracing a rich vocabulary of shared subjects, approaches, and styles. "In the years since 1888, when George Eastman and others made it possible for anyone to make a photograph, billions of snapshots have been made in this country alone," said Earl A. Powell III, director, National Gallery of Art. "This exhibition and catalogue celebrate the remarkable creativity of American amateur photographers and provide fascinating insights into American life in the last century." In 1888, when Eastman introduced the Kodak camera and roll film, he revolutionized the way Americans represented themselves and marked life events. Adopting the slogan, "You press the button, we do the rest," the Kodak was portable, fairly inexpensive, and easy to use, allowing the camera to capture abundant images of everyday life. At the dawn of the digital age, the silver-based snapshots, which were taken over the course of almost a century since the Kodak's invention, are fast becoming historical artifacts. Over the past decade, Robert E. Jackson has assembled one of the foremost collections of American snapshots. Captivated by the range and creativity of amateur photographs, Jackson has acquired thousands of examples that are distinguished by both their breadth and quality. Purchased at flea markets, art fairs, and online, these snapshots have become separated from their original context and stripped of their personal meaning, allowing us to examine them in new ways. This exhibition is organized by the National Gallery of Art, Washington. The exhibition is made possible through the generous support of the Trellis Fund and The Ryna and Melvin Cohen Family Foundation. The catalogue is published with the assistance of The Getty Foundation. The Art of the American Snapshot is organized chronologically, compared to most previous exhibitions of snapshots, which have grouped photographs based on themes or visual subjects. The exhibition charts the cultural influences and technological advances that encouraged amateurs to explore new subjects and styles, investigates the common tricks and technical gaffes in amateur snapshots, and reveals how proper behavior when posing for the camera changed over time. The snapshots on view tell us what it felt like to live, work, love, and have fun in the late 19th and 20th centuries, and they showcase the inventiveness of these anonymous American photographers. Robert E. Jackson has been a dedicated collector of snapshot photographs for about 10 years. During that time, he has acquired more than 8,500 images. He received an M.A. in art history from the University of North Carolina, Chapel Hill, focusing his studies on American art. He then earned an M.B.A. from the University of Texas, Austin, where he wrote a thesis on corporate art collecting. He currently works in Seattle as an analyst for a large global asset management company. Curators are Sarah Greenough, senior curator of photographs, and Diane Waggoner, assistant curator of photographs, National Gallery of Art.
Unknown, "This is our boy, dog and cat and I am sticking my nose through the back of the chair. Burns just woke up so he looks kind of mussed up.", c. 1910, gelatin silver print, Collection of Robert E. Jackson.
Unknown, "Taken Nov 24-1927 at Grand Canyon Arizona. 2000 ft below. Vern Albred Grand Canyon", November 24, 1927, gelatin silver print, Collection of Robert E. Jackson. |
Unknown, c. 1900 - 1910, gelatin silver print, Collection of Robert E. Jackson. |
