Nitin Vadukul, Radiohead, St. Louis, 1993, taken 1993; printed 2008, Giclee Print, Sheet: 39-7/16 x 44", Image: 24 x 36-1/8", Photographed by Nitin Vadukul, Lender: Nitin Vadukul.
Barry Feinstein, Bob Dylan with Kids, Liverpool, England, 1966, Gelatin silver print, 16 x 20", Lender: Barry Feinstein.
Ian Dickson, The Ramones, 1977, Silver gelatin print, 16 x 20", Ian Dickson / www.late20thcenturyboy.com, Lender: Ian Dickson.
Shawn Mortensen, Courtney Love, December 1993, Polaroid, 4-1/4 x 3-1/4", Frame: 20 x 26 x 3", Collection of Shawn Mortensen Archive, Lender: Shawn Mortensen.
Albert Watson, Jagger/Leopard, 1992, Original silver print, 30 x 24", Private collection. |
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Brooklyn Museum
200 Eastern Parkway
718-638-5000
Brooklyn
Who Shot Rock & Roll:
A Photographic History,
1955 to the Present
October 30, 2009-January 31, 2010
From its early days, rock and roll was captured in photographs that personalized and often eroticized the musicians. Photographers were handmaidens to the rock-and-roll revolution, and their work communicates the social and cultural transformations that rock helped bring about from the 1950s to the present. This exhibition is a history, not of rock and roll, but of the men and women who photographed it and gave the music its visual identity.
Who Shot Rock & Roll: A Photographic History, 1955 to the Present, the first major museum exhibition to acknowledge photographers for their collaborative role in the history of rock and roll, is curated by photographic historian and author Gail Buckland and features many rare and never-before-exhibited photographs.
Featuring about 175 works by 105 photographers, Who Shot Rock & Roll is in six sections: images taken behind the scenes; snapshots of young musicians in theirf their early careers; live performance photographs showing the energy of bands onstage; images of crowds and fans; portraits that go beyond the surface and celebrity of the musicians; and conceptual images and album covers highlighting creative and collaborative efforts of image makers and subject.
Among the works on view are such iconic images as William “Red” Robertson’s erotic 1955 photo of a pelvis-thrusting Elvis Presley that appeared on his first album; The Clash’s London Calling album cover by Pennie Smith depicting Paul Simonon smashing his Fender bass guitar; the contact sheet of Bob Gruen’s portrait of John Lennon in a sleeveless New York City T-shirt; Don Hunstein’s photograph of Bob Dylan walking with his girlfriend Suze Rotolo down a snowy Greenwich Village street; David LaChapelle’s image of Lil Kim as a bikini-clad cop; and Anton Corbijn’s shoot of U2 for their Joshua Tree album. The exhibition will also feature photographs by Diane Arbus, Annie Leibovitz, Woodstock photographer Barry Feinstein, Jim Marshall, Ryan McGinley, Linda McCartney, Mark Seliger, and Albert Watson.
Most of the photographs in the exhibition were uncovered in the photographers’ own files. Rarely if ever exhibited pictures include a 1963 photograph by Philip Townsend of the Rolling Stones; an image of James Brown surrounded by female fans shot by actor Dennis Hopper; the working photographs and album cover by Jean-Paul Goude of Grace Jones for Island Life; the contact sheet from Bob Gruen’s famous 1974 rooftop shoot of John Lennon; the full sequence of never-before-exhibited photographs by Ed Caraeff of Jimi Hendrix at the Monterey Pop Festival in 1967; the 1976 photograph by Roberta Bayley used on the Ramones first album; Amy Winehouse on her wedding day by Max Vadukul; the four classic 1967 Beatles portraits by Richard Avedon; Ike and Tina Turner at Club Paradise in Memphis in 1962 by the African-American photographer Ernest Withers; and an approximately nine-by-seven-foot tour-de-force by German photographer Andrea Gursky of Madonna performing in 2001.
The exhibition also includes music videos by artists featured in the exhibition, an 80-image slide show by Henry Diltz, and a rock-and-roll chronology made from actual album covers.
Gail Buckland is an author, lecturer, curator, and authority on photography. She is the former Olympus Visiting Professor of the History of Photography at the Cooper Union, New York City, where she has taught since 1979. At Sarah Lawrence College she held the Nobel Chair in Art and Cultural History. Ms. Buckland is the former Curator of the Royal Photographic Society of Great Britain and has curated numerous exhibitions, including Fox Talbot and the Invention of Photography at the Pierpont Morgan Library, Visions of Liberty at the New York Historical Society, and From Today Painting is Dead: The Beginnings of Photography at the Victoria and Albert Museum, London.
The exhibition is accompanied by a fully illustrated book titled Who Shot Rock & Roll: A Photographic History, 1955 to the Present, published by Alfred A. Knopf, with support from the Universal Music Group.
Albert Watson, L.L. Cool J, taken in 1992, printed 2009, Pigment print, Approx.: 30 x 24", Private Collection, Lender: Albert Watson.
Baron Wolman, Little Richard, Gelatin silver print, 9 x 13-1/4", Lender: Baron Wolman.
Josh Cheuse, Run DMC Live at the Ritz, May 15, 1984, Gelatin silver print, Sheet: 20 x 16", © Josh Cheuse, Lender: Josh Cheuse. |
