Yoko Ono, SkyLadder.

Yoko Ono: Between the Sky and My Head, 1961-Present

Yoko Ono, Coffin Car (originally titled Riding Piece), Black coffin car, 1962-2008, (Mercedes Benz 220, 1971) with instruction printed on each side of the car, driver.

Yoko Ono, War is Over.

Yoko Ono, Imagine Peace Tower, Videy Island, Reykjavik, Iceland, August 2008.

 

Baltic Centre
for Contemporary Art
Gateshead Quays
South Shore Road
+44 (0)191 478 1810
Gateshead
Yoko Ono: Between the Sky and My Head
December 14, 2008-
March 15, 2009

Yoko Ono is one of the pioneers of conceptual art and has an international exhibition career spanning nearly 50 years. From Sunday 14 December, Baltic Centre for Contemporary Art will present Yoko Ono: Between the Sky and My Head, comprising work by Yoko Ono from 1961 to the present.

The exhibition, one of the largest exhibitions of Yoko Ono’s work to date, is a major collaborative project with Kunsthalle Bielefeld, Germany, and will occupy two floors of Baltic with additional works located outside the gallery.

Yoko Ono has a strong and irrepressible desire for freedom. This desire can be immediately recognised in her Imagine Peace billboards which will be located in prominent locations. Ono’s Wish Trees invite visitors to express their hopes and dreams by writing wishes on paper and hanging them on Wish Trees installed close to Baltic. These wishes will be gathered at the end of the exhibition, and sent to the Imagine Peace Tower in Videy Island, Iceland, to join the rest of the wishes from around the world. Another work, SkyLadder — which might be read as an allegory for the exhibition’s title, Between the Sky and My Head — invites us to consider an imaginary, spiritual space centred between the sky and earth.

Inside Baltic, the exhibition will cover more than 1400 square metres of gallery space containing sculpture, paintings, drawing, photography, films and sound installations, as well as participation works. Among the 50 works featured in the exhibition is Play it by Trust, a conceptual chess set, made from white Italian Carrara marble. A version of the work was first exhibited in London at Ono’s legendary exhibition at the Indica Gallery in 1966.

Another work, My Mommy is Beautiful, is a participatory piece in which visitors to Baltic are invited to bring photographs of their mothers, along with thoughts and memories about their mothers, to be permanently attached to the blank canvases. At the conclusion of the exhibition, the filled canvases will be sent to the artist in New York.

Yoko Ono: Between the Sky and My Head is accompanied by a 208-page exhibition catalogue edited by Thomas Kellein, director of the Kunsthalle Bielefeld, published by Verlag der Buchhandlung Walther König, Cologne and will be available from Baltic Shop.

Yoko Ono, born in 1933 in Tokyo, is one of the pioneers of Conceptual Art. In 1952, she became one of the first women in Japan to study philosophy. In 1953 she took composition courses at Sarah Lawrence College in Bronxville, NY, and studied creative writing at Harvard. In the mid-1950s, Yoko Ono lived in New York City, where she knew John Cage, and many other artists and composers. In 1960, she rented a loft on Chambers Street, and together with La Monte Young, organized a series of concerts, attended not only by young musicians and artists, including Robert Rauschenberg, Jasper Johns and Fluxus founder George Maciunas, but also by Marcel Duchamp, Max Ernst, Peggy Guggenheim, and Isamu Noguchi.

As a young artist, Ono left New York in 1962 in order to return to Japan. During this period she performed several concerts with John Cage and the pianist David Tudor. In the same year at the So¯getsu Art Center in Tokyo, she began hanging texts as artworks, instead of the pictures she had shown in 1961 at the AG Gallery in New York. Her work in conceptual art manifested in the famous collection of works, Grapefruit, which she first published herself on July 4, 1964 in Tokyo. It went on to be published in numerous editions. Some of the works in it date back to the early 1950s. The book divided her oeuvre into chapters dealing with music, painting, happenings, poetry, and objects, documenting her affinity for all categories of art. To this day, she continues to move forward in unexplored territories in her art.

Yoko Ono & Arata Isozaki, Penal Colony Realizaton Image, 2006, Photo Jeffrey Debany.